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Long before artificial intelligence consumed all conversations related to the blurred line of assisted creativity, artists had often found themselves at the center of the question, “How is art defined?” Art, whether a sculpture, painting, photograph, theatrical production, or film, is inherently subjective and interpreted only through the eyes of the individual viewing it at that given moment. The viewer consumes and digests the art, not as a computer program might with cold ones and zeros, but through the filter of their memories, experiences, and opinions formed over many years or seconds before their eyes reach the canvas.